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Sonata for Trumpet and Piano was premiere at the NASM convention by J. Frank Elsass, a colleague of Kennan’s from the University of Texas. Check out Kent Kennan: Sonata for Trumpet and Piano: III. Moderately Fast, With Energy by Giuseppe Galante on Amazon Music. Stream ad-free or purchase. Check out Kent Kennan: Sonata for Trumpet and Piano: I. With Strength and Vigor by Giuseppe Galante on Amazon Music. Stream ad-free or purchase CD’s and.

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Dearden, Sonaya Lorien The rest of this movement is based largely around this main theme Dearden The recapitulation also begins with a soft dynamic, which is quite the opposite of tradition Dearden The secondary theme is lyrical, with no fanfares, and in minor Dearden The second theme starts in the piano with an ostinato line over a pedal a D, followed by the trumpet two measure later, playing the main motive that was introduced in the first movement Dearden When the second theme is restated, it is down a half step as well and shortened a little bit Dearden This entry was posted on Thursday, April 30th, at 3: Fill in your details below or click an icon to log in: A four-measure transition that is based on the main motive of kkennan entire piece follows Dearden You are commenting using your Facebook account.

Kenhan page was last edited on 8 Novemberat Email required Address never made public. Kennan composed his last major work in at the age of 43 and largely abandoned composition, writing only occasional small pieces and devoting himself to teaching and educational writing.

This piece is difficult in many ways. A large portion of the movement is based on this theme Dearden The fanfare leads into the slurred motive that is mostly comprised of eighth notes Dearden The second theme has the same character as the first theme, but it is melodically based on the intervals of triads instead of the main motive that is introduced in the first movement Dearden The piece ends with a trumpet fanfare in E-flat Dearden All of theme motives and variants of these motives are repeated throughout the course of this wonata Dearden The coda only uses fragments of the first theme with a modified rhythm Dearden You can follow any responses to this entry through the RSS 2.


This movement also has a short closing theme Dearden It is also significantly shorter Dearden In the coda, the trumpet is playing with a harmon mute and playing G, the dominant of C, until the last measure, when sojata line finally resolves to the tonic Dearden Notify me of new comments via email.

By continuing to use this website, you agree to their use. The first movements are both in Sonata-Allego form, the second movements are in Three Part Song form, and the third movements are in Rondo form, causing them to both have the same overall structure as well McNamara Even though the melody sounds like D minor, there is no F of any kind to confirm whether it is major or minor. This theme is only in ssonata piano part Dearden Movement III — Moderately Fast, kkennan Energy Some analyze this movement as being in xonata form, while others analyze it as being in rondo form Dearden He also made the first movement shorter and slowed the tempos in the first and third movement slightly McNamara The return of the first theme is very similar to the first time it is stated, but it is transposed down a half step and the piano accompaniment is different Dearden The main motive that was introduced in the first movement appears frequently in this theme Dearden He learned to play the organ and the piano and received degrees in composition and music theory jennan the University of Michigan and the Eastman School of Music.

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The main theme of this movement is written three times in a row, the first centered around E-flat Dearden Kennan wanted to write in a similar style of those who he admired, so he modeled his writing style after Paul Hindemith and Howard Hanson, a teacher mennan his McNamara This site uses cookies.


This melody has some occurrences of the main motive that begins the first movement: From Wikipedia, the free encyclopedia.

The first theme is very rhythmic and separated Dearden You can help Wikipedia by expanding it. When the trumpet part has a long note or rests, the piano has a more elaborate part to keep the music interesting Dearden This section is distinct from the others in this movement because it is the only section that is not muted Dearden He was the half brother of the diplomat and historian George F.

Retrieved from ” https: Kenan development begins after a short transition from the exposition Dearden The Coda The transition into the cods is mostly based on the transition theme from earlier in the movement Dearden They knew each other while Kennan was composing the piece, so Elsass gave Kennan some advice about writing the trumpet part since he was a trumpet player and a former cornet soloist Dearden McNamara, Anne Kovarik The development is the shortest section in the movement Dearden The first theme is played by the trumpet and is muted Dearden It returns to the original tempo and centers around E-flat once again Dearden This first theme snoata full of mixed meter, often using asymmetric meters, which is characteristic of the 20 th century style of composing Dearden Leave a Reply Cancel reply Enter your comment here The second movement begins with a piano introduction that is made up of a G that stretches to three octaves Dearden